Extraordinary Form Mass to be celebrated weekly at Sacred Heart in Robbinsdale, MN

Excerpts from today's bulletin article by Fr. Bryan J.B. Pedersen, Sacred Heart Catholic Church in Robbinsdale, MN:

Over the last few months I have been praying a great deal about pastoral generosity. This is so because I have been receiving requests in written form and also verbally from some parishioners, and other Catholics who live in the western suburbs of Minneapolis, for me to celebrate a weekly Sunday Mass in Latin. ...

Because of the requests made by our Holy Father to be generous to those who desire the older form of the Mass, and because I am one of the few priests in the Archdiocese capable of responding to such requests. Therefore for these reasons and in a spirit of generosity I have decided on an experimental basis to add a third Mass to our Sunday Schedule in the extraordinary form of the Mass. ... The additional Mass on Sunday will begin on March 1st, which is the first Sunday of Lent, and will ordinarily start at 11:30 am. The additional Mass will be in the extraordinary form using the Roman Missal in use in 1962 per the instruction of our Holy Father Pope Benedict XVI. One of the reasons the additional mass will be on an experimental basis is due to the fact that I must determine if the requests I have been receiving do in fact constitute a stable group who will respond with generosity to our parish. The additional Sunday Mass will initially be celebrated at the Side Altar of St. Mary in the transept. If the number of people attending the older form of the Latin Mass is greater than initially expected then I will shift to using the main altar in the sanctuary. For the time being the Mass will be a low Mass, which means that it will be without music.

Ring in the new year with Christ!

And His mother, too, I should add!

Hugh Henry has made available a booklet for Vespers of New Year's Eve (1st Vespers for the Octave of the Nativity according to the extraordinary form) ending with Benediction and the singing of Laudes Regiae (Christus Vincit). But coolest of all is the recording of Christus Vincit by Juventutem. The strength and energy of this hymn in praise of Christ Our Lord and King blew me away! Have a listen, and then sing along.

Christus vincit. Christus regnat. Christus imperat. Exaudi Christe.
Christ is victor, Christ is ruler, Christ is Emperor. O hear our prayer, Christ.

Let my verses go!

Jeffrey Tucker at the NLM:

From the instant that the USCCB announced that the Revised Grail Psalter would become the new standard for Psalms in the ordinary form of the Mass, musicians in the UK privately issued warnings along the lines of “welcome to our Hell.”

The problem is not the translations of the Psalms, which are said to be an improvement over what is in use today in the U.S. The problem has to do with the law, copyright, permissions, expenses, enforcement—and the problems are so pervasive in the UK that one of the least spoken about aspects of liturgical life in the UK is the proliferation of samizdat Psalms.

What are samizdat Psalms? These are Psalm settings written by composers attached to parishes and cathedrals, by composers and directors who are required to use the Grail text but cannot bear to sing the musical settings published by the mainstream publishers. They write their own, but understandably fail to jump through the copyright hoops and pay the exorbitant fees associated with the texts themselves. So they are copied, handed out, kept under wraps, delivered from parish to parish in brown envelopes, and spoken about in hushed tones. It’s like a sector of an underground Church.

The same situation could happen in the U.S. when the Revised Grail becomes official here too. The Psalm that are currently made available online will be forced down. The settings made available by independent composers will have to go underground. The job of setting the Psalms to music will fall to the “Big Three” music publishers who provide the mainstream fare today. Incredibly, one of those publishers, a for-profit company, has actually been named as the literary agent to decide the terms and conditions under which people can publish the Psalms. (more)

The splendor of truth in liturgy

Shawn Tribe at The New Liturgical Movement expresses what is becoming more apparent to me: liturgical worship is not about about entertainment, feel-good emotions, or personal preference. The liturgy has an objective quality that communicates the faith. How we pray will shape how we believe. He quotes the following:

... people are instructed in the truths of faith, and brought to appreciate the inner joys of religion far more effectually by the annual celebration of our sacred mysteries than by any official pronouncement of the teaching of the Church. Such pronouncements usually reach only a few and the more learned among the faithful; feasts reach them all; the former speak but once, the latter speak every year - in fact, forever.
-Pope Pius XI Quas Primas

And later from Four Benefits of the Liturgy by Dom Gerard Calvet:

Take a group of Japanese tourists visiting Notre Dame Cathedral in Paris. They look at the height of the stained-glass windows, the harmony of the proportions. Suppose that at that moment, sacred ministers dressed in orphried velvet copes enter in process for solemn Vespers. The visitors watch in silence; they are entranced: beauty has opened its doors to them. Now the Summa Theologica of St. Thomas Aquinas and Notre Dame in Paris are products of the same era. They say the same thing. But who among the visitors has read the Summa of St. Thomas? The same phenomenon is found at all levels. The tourists who visit the Acropolis in Athens are confronted with a civilisation of beauty. But who among them can understand Aristotle?

And so it is with the beauty of the liturgy. More than anything else it deserves to be called the splendour of the truth. It opens to the small and the great alike the treasures of its magnificence: the beauty of psalmody, sacred chants and texts, candles, harmony of movement and dignity of bearing. With sovereign art the liturgy exercises a truly seductive influence on souls, who it touches directly, even before the spirit perceives its influence.

Sacred liturgy is the body language of the Church - the people of God and the Body of Christ.

Vespers Update - Assumption of the BVM

You can now access the chanted Sunday Vespers booklets for Ordinary Time and Advent in the "Liturgy of the Hours" links list at the left. These booklets include all the prayers for II Vespers on Sundays except the proper Magnificat antiphons and concluding prayers (too much to type). I also include in each booklet at the end the traditional Marian anthem usually sung after Night Prayer - Alma Redemptoris Mater, Ave Regina Caelorum, Regina Caeli, or Salve Regina.

I'm still working on getting this prayer started in my parish, but that hasn't stopped me from putting together a booklet for the upcoming Assumption of the Blessed Virgin Mary! Feasts are missing from my other booklets, so I figured I'd arrange them individually as I go for future use. Here is my chanted Assumption booklet for II Vespers. Summer is great. :)

Happy praying!

O God, come to my assistance - Sunday Vespers

Perhaps I mentioned at some point my ongoing project to set a simply chanted Sunday Vespers to sing weekly at my parish? I went about typing the texts and setting music in the hopes that the more I had done before pitching it to our pastor and choir director the more likely it'd be to get started. I stalled for a while, stuck on the strange canticle from Revelation. But thanks to a tip from this discussion on the Musica Sacra forums, I was able to move ahead and finish the main part of the project (minus readings and propers for Advent, Lent and Easter).

Here is the result presented for review: (See edited links at bottom).

If you are so inclined, could you offer feedback? Specifically regarding the pointing of the antiphons and psalms:

1) Are any of the chant tones really ugly or awkward?

2) I used the simple method employed by the editors of the Mundelein Psalter. The italic syllable is where you first change pitch. Each note after the change corresponds to one syllable with any extras falling on the last note. And also the final note should correspond to the final accented syllable in the phrase. I had some difficulties following this last rule with the antiphons for Psalm 110. Making the final syllable line up with the last note over-emphasized an insignificant word or awkward syllable.

3) I originally wanted to keep the "official" text for everything. For the Magnificat (Canticle of Mary) the traditional tone I used works poorly. I have a better arrangement from The Hymnal (1940) but it uses King James English. It's beautiful, but not "official." I'm leaning toward using the different translation unless someone can offer a way to fix my version.

As a beneficial aside, I also set the English translations of two traditional hymns from the Divine Office in square notes. They look nice and are wonderful to sing. Feel free to use and distribute these as you like (all text and music is common domain):

Lucis Creator optime - Sunday, II Vespers, odd weeks
O Lux, beata Trinitas - Sunday, II Vespers, even weeks

Head over to my friend Geometricus' blog Hymnos Debitos Canamus for helpful info about these and many other hymns of the Divine Office!

---

EDIT: Here are the updated booklets in PDF files, the first combined, one for Ordinary Time and one for Advent:
COMBINED - This booklet has multiple antiphons for each psalm depending upon the season. I moved away from this, thinking instead to have different booklets for different seasons.
ORDINARY TIME - Simplified layout with only the OT antiphons for each psalm.
ADVENT - Psalms have antiphons for advent only. Hymns are english translations of the the proper Advent hymns from Liturgiam Horarum, Conditor alme siderum and Verbum salutis omnium, set to a tune from the Liber Usualis. I also selected a different chant tone for the Advent Responsory and Magnificat.

They are set in half-sheet size (5.5"x8.5") for printing as a booklet on 8.5"x11" letter paper. I decided to just use the latin Magnificat. The booklets have everything you need to pray Sunday II Vespers for Ordinary Time and Advent except the Magnificat antiphons and final prayer. It seemed too much work to try and type and included these in a section that you'd have to flip to anyways. I plan to just look them up from another psalter when praying.

God is Patient and Merciful, but He Wants Change

An article by Fr. Jack Peterson at Catholic Exchange:

“God bears with imperfect beings even when they resist His goodness. We ought to imitate this merciful patience and endurance. It is only imperfection that complains of what is imperfect. The more perfect we are, the more gentle and quiet we become toward the defects of other people.” Bishop Francois de Fenelon, the archbishop of Camray, penned these words in the 18th century, but they speak just as loudly to us today.

If God’s approach to us, His children, was determined simply by His justice, we would be in a hopeless situation. When I think of the number of times that I have gone to confession, stated my sins and sincerely pledged to never commit them again, I am brought to my knees as I ponder God’s patience with me. God has every right to be perfectly upset with me, to treat me as an ungrateful, hard-hearted, spoiled brat. He has blessed me in countless ways, and I have rebelled in so many ways. In God’s justice, I should be nothing but dried up bones, but in His love, I am the recipient of abundant patience and mercy.

[...]

Our response to God’s amazing patience and mercy should be a heightened desire to change our lives and live completely for Christ. ...

It is true that God must satisfy the demands of justice. That is why He sent his only-begotten Son who died and rose for us. Christ became our justice. Now, God, in His great mercy, constantly invites us back to Him after we wander. He is remarkably patient.

A good reminder that God's loving patience is for our repentance and conversion, not to remain as we are, ambivalent and mediocre.

Vespers, Wednesday of the Fourth week of Easter

With Pope Benedict XVI from the Crypt Church at the Basilica of the National Shrine of the Immaculate Conception! A beautiful vespers. I like how all the bishops could sing along without much help from their prayer book whenever the traditional latin chant was used (Deus in audiutorium meum, Magnificat, Pater noster). What a lovely expression of the one, holy, Catholic and apostolic Church.

I'm still working on my simple setting of Sunday Vespers to propose singing at my parish on a regular basis. Mine is all simplified chant mostly in English similar to the Mundelein Psalter. Which, BTW, I highly recommend.

Exult now O ye angelic throngs of the heavens

Fr. Zuhlsdorf has a beautiful recording of the Exsultet chant from Easter Vigil. This is my favorite chant of the year, stunning in its simplicity and strength.

Here is Fr. Z's translation. Download his podcast here.

Exult now O ye angelic throngs of the heavens:
Exult O ye divine mysteries:
and let the saving trumpet resound for the victory of so great a King.
Let the earthly realm also be joyful, made radiant by such flashings like lightning:
and, made bright with the splendor of the eternal King,
let it perceive that it has dismissed the entire world’s gloom.
Let Mother Church rejoice as well,
adorned with the blazes of so great a light:
and let this royal hall ring with the great voices of the peoples.
Wherefore, most beloved brothers and sisters,
you here present to such a wondrous brightness of this holy light,
I beseech you, together with me
invoke the mercy of Almighty God.
Let Him who deigned to gather me in among the number of the Levites,
by no merits of mine,
while pouring forth the glory of His own light
enable me to bring to fullness the praise of this waxen candle.

Deacon: The Lord be with you!
Response: And with your spirit!
D: Raise your hearts on high!
R: We now have them present to the Lord!
D: Let us then give thanks to the Lord our God!
R: This is worthy and just!

Truly it is worthy and just
to resound forth with the whole of the heart,
disposition of mind,
and by the ministry of the voice,
the invisible God the Father Almighty,
and His Only-begotten Son
our Lord Jesus Christ,
Who, on our behalf, resolved Adam’s debt to the Eternal Father
and cleansed with dutiful bloodshed the bond of the ancient crime.
For these are the Paschal holy days,
in which that true Lamb is slain,
by Whose Blood the doorposts of the faithful are consecrated.
This is the night
in which first of all You caused our forefathers,
the children of Israel brought forth from Egypt,
to pass dry shod through the Red Sea.
This is the night
which purged the darkness of sins by the illumination of the pillar.
This is the night
which today restores to grace and unites in sanctity throughout the world Christ’s believers,
separated from the vices of the world and the darkness of sins.
This is the night
in which, once the chains of death were undone,
Christ the victor arose from the nether realm.
For it would have profited us nothing to have been born,
unless it had been fitting for us to be redeemed.
O wondrous condescension of Your dutiful concern for us!
O inestimable affection of sacrificial love:
You delivered up Your Son that You might redeem the slave!
O truly needful sin of Adam,
that was blotted out by the death of Christ!
O happy fault,
that merited to have such and so great a Redeemer!
O truly blessed night,
that alone deserved to know the time and hour
in which Christ rose again from the nether world!
This is the night about which it was written:
And night shall be made as bright as day:
and night is as my brightness for me.
Therefore the sanctification of this night puts to flight all wickedness, cleanses sins,
and restores innocence to the fallen and gladness to the sorrowful.
It drives away hatreds, procures concord, and makes dominions bend.
Therefore, in this night of grace,
accept, O Holy Father, the evening sacrifice of this praise,
which Holy Church renders to You
in the solemn offering of this waxen candle
by the hands of Your ministers from the work of bees.
We are knowing now the proclamations of this column,
which glowing fire kindles in honor of God.
Which fire, although it is divided into parts,
is knowing no loss from its light being lent out.
For it is nourished by the melting streams of wax,
which the mother of bees produced for the substance of this precious torch.
O truly blessed night,
in which heavenly things are joined to those of earth,
the divine to the human!
Therefore, we beseech You, O Lord,
that this waxen candle, consecrated in honor of Your name,
may continue unfailing to dispel the darkness of this night.
And once it is accepted as a placating sacrifice,
may it be mingled with the heavenly lights.
Let the morning star meet with its flame:
that very star, I say, which knows no setting:
Who, having returned from the nether realm,
broke serene like the dawn upon the human race,
and now lives and reigns forever and ever.

Don't steal the Pope's story!

Fr. Neuhaus reflects about his friendship with John Cardinal O'Connor, who shares a birthday with Dr. Martin Luther King, Jr:

One ordinarily does not repeat in public what the pope says in private conversation, but I asked and John Paul gave me permission to tell this one. When during the O’Connor years I had occasion to meet with the pope, he would always ask, “How is Cardinal O’Connor?” And I would always say that Cardinal O’Connor is flourishing and is an inestimable gift to the Church. One time I went on to say, “You know what Cardinal O’Connor said the other day, Holy Father?” “No,” he answered. “What did Cardinal O’Connor say?” “Cardinal O’Connor said that he gets up every morning and prays that he will go to bed that night without having discouraged any impulse of the Holy Spirit. Now isn’t that a beautiful thing for a bishop to say?” A pause of several seconds. “Yes,” said the pope, “that is a beautiful thing for a bishop to say. I told him that.”

Ha!

New music for advent

My parish had an advent Evensong service last night. It was a quiet time for prayer and reflection with eight scripture readings interspersed with hymns or other pieces of music (violin, or soprano solo, or organ). I very much enjoyed it, particularly because of the fitting nature of the music chosen. Also very well performed.

A highlight was the final hymn we sung which was new to me, The Angel Gabriel from Heaven Came, a Basque carol translated by Sabine Baring-Gould (1834-1924). The meter is just irregular enough to be interesting, but not too random. It almost sounds like a solemn march, rolling on with an inevitability that matches the fiat our Blessed Mother speaks to Saint Gabriel.

The angel Gabriel from heaven came,
his wings as drifted snow, his eyes aflame;
"All hail," said he, "thou lowly maiden Mary,
most highly favored lady," Gloria!

"For know a blessed Mother thou shalt be,
all generations laud and honor thee,
thy Son shall be Emmanuel, by seers foretold,
most highly favored lady," Gloria!

The gentle Mary meekly bowed her head,
"To me be as it pleaseth God," she said,
"my soul shall laud and magnify his holy Name,"
Most highly favored lady, Gloria!

Of her, Emmanuel, the Christ, was born
in Bethlehem all on a Christmas morn,
and Christian folk throughout the world will ever say:
"Most highly favored lady," Gloria!

Veni, veni Emmanuel

Beginning tonight at vespers and continuing through December 23, the O antiphons ring out in the prayer of the Church. These 7 antiphons are the latin text upon which O Come, O Come Emmanuel is based. Writes Br. Pius Pietrzyk, OP at www.dominicanfriars.org:

With this portion of Advent come the great “O Antiphons”. In the Liturgical Office of Vespers (Evening Prayer), from December 17th until the 23rd, the Antiphon for the Gospel Canticle (the Magnificat) begins in Latin with the vocative “O” and a title of the Lord Jesus: O Sapientia, O Adonai, O Rex, O Clavis, O Oriens, O Radix, O Emmanuel. These translate into: O Wisdom, O Adonai, O King, O Key (of David), O Dawn, O Root (of Jesse), O Emmanuel.

You can download a copy of a short program of all of the chants together with the tone for singing the Magnificat:

Booklet of Dominican Chants of the “O” Antiphons

Into your hands, Lord, I commend my spirit

I've never seen anything like this before.

Cantate Domino

Thank you to Cathy_of_Alex for her supportive post.

Yes, the beginning chant group with which I've been rehearsing is singing at the 8:30 am Saturday mass tomorrow at St. Anthony of Padua Catholic Church in Minneapolis (directions). The morning begins at 7:30 with a holy hour before our Lord in the Blessed Sacrament. Fr. Glen Jensen has been encouraging the people at St. Anthony's to learn the responses in latin by celebrating a beautiful liturgy in honor of Our Lady each Saturday. He's been kind enough to invite us to sing tomorrow, and perhaps more regularly in the future.

While we are beginners, we've been doing our best to prayerfully offer the following repetoire. The ordinaries are from Orbis Factor (Mass XI), and the propers taken mostly from the Solemnity of the Assumption of the BVM:

Introit - Salve Sancta Parens
Kyrie - Mass XI, B
Alleluia - Proper from the Assumption of the BVM
Offertory - Assumpta Est, O Sanctissima (hymn)
Sanctus - Mass XI
Agnus Dei - Mass XI
Communion - Beatam Dicent, Jesu Dulcis Memoria (hymn)
Recessional - Salve Regina (hymn)

Come pray with us! Sheets will be available with responses and translations of the propers.

A very present help in trouble

In the wake of the bridge collapse this past week, I found comfort in the words of Psalm 46 from Friday Vespers:

1 God is our refuge and strength,
a very present help in trouble.
2 Therefore we will not fear though the earth should change,
though the mountains shake in the heart of the sea;
3 though its waters roar and foam,
though the mountains tremble with its tumult.

4 There is a river whose streams make glad the city of God,
the holy habitation of the Most High.
5 God is in the midst of her, she shall not be moved;
God will help her right early.
6 The nations rage, the kingdoms totter;
he utters his voice, the earth melts.

7 The LORD of hosts is with us;
the God of Jacob is our refuge.

8 Come, behold the works of the LORD,
how he has wrought desolations in the earth.
9 He makes wars cease to the end of the earth;
he breaks the bow, and shatters the spear,
he burns the chariots with fire!
10 "Be still, and know that I am God.
I am exalted among the nations,
I am exalted in the earth!"

11 The LORD of hosts is with us;
the God of Jacob is our refuge.
(RSV)

Pope John Paul II commented on this psalm during his general audience of June 16, 2004:

Psalm 46 is divided into two major parts by a sort of antiphon that rings out in verses [7] and [11]: "The Lord of hosts is with us; the God of Jacob is our refuge". God's title, "the Lord of hosts," is typical of the Hebraic cult in the Temple of Zion; despite its martial connotations, linked to the Ark of the Covenant, it refers to God's lordship over the whole cosmos and over history.

Hence, this title is a source of confidence, for the whole world and all its vicissitudes are under the supreme governance of the Lord. This Lord is therefore "with us", as the antiphon says once again with an implicit reference to the Emmanuel, the "God-with-us" (cf. Is 7: 14; Mt 1: 23).

The first part of the hymn focuses on the symbol of the waters and presents a twofold, contrasting meaning. Indeed, on the one hand, the foaming waters are unleashed; in biblical language this symbolizes devastation, chaos and evil. They cause the trembling of the structure of the being and of the universe, symbolized by the mountains shaken by the roaring outburst of some sort of destructive floodwaters. On the other hand, however, there are the thirst-quenching waters of Zion, a city set upon arid hills but which is gladdened by "a river and its streams." While he alludes to the streams of Jerusalem such as the Shiloah (cf. Is 8: 6-7), the Psalmist sees in them a sign of flourishing life in the Holy City, of its spiritual fecundity and its regenerative power.

Therefore, despite the upheavals of history that cause people to tremble and kingdoms to shake, the faithful find in Zion the peace and calm that derive from communion with God.

---

In manus tuas Domine, commendo spiritum meum.
     -In manus tuas Domine, commendo spiritum meum.
Redemisti nos Domine, Deus veritatis.
     -Commendo spiritum meum.
Gloria Patri, et Filio, et Spiritui Sancto.
     -In manus tuas Domine, commendo spiritum meum.

Infanticide at home and abroad

I'm not sure what to make of it, but my heart aches reading each of the following articles.

Body of a baby found in the Mississippi River, the third in eight years

Mothers in Germany urged to drop off unwanted babies at hospitals after 23 known cases of infanticide this year

Three of my fellow teachers have given birth to their babies during the past few weeks, and to be reminded contemporarily of such cruelty elsewhere in the world is jarring. But reality often acts as a much needed call to prayer.

O my Jesus, forgive us our sins. Save us from the fires of hell. Lead all souls to heaven, especially those in most need of Thy mercy. Amen.

Gloria Patri, et Filio, et Spiritui Sancto

In my attempt to pray the Liturgy of the Hours, I'm doing a bit of work learning to chant.

My general goal for a while has been to develop greater discipline in daily prayer. A guiding principle I adopted has been to practice that kind of prayer that lots of other good and holy people recommend. I began with Fr. Thomas Dubay and his book Prayer Primer (highly recommended). He says to start with vocal prayer, suggesting the Liturgy of the Hours as an excellent way offered by the Church. This structure has helped me immensely over the past few months! It's also a wonderful source of scripture for meditation, the next highest kind of prayer.

The Church teaches - all evidence to the contrary in our parishes - that latin and Gregorian chant are to be given priority in the liturgy at mass. So, on a related note I've been trying to learn to chant and combining this with my practice of praying vespers every night. Here are some gems I've culled from internet slag:

Simple Way Lay Apostolate This site offers the single best resource for learning the LH and simple chant. Discovering Prayer is a free downloadable booklet with quick and easy directions for praying all of the hours, as well as reading neumes (chant notes). Included, or available as a separate download, is a Liturgy of the Hours Help Card that includes the latin for all the ordinary prayers (God come to my assistance, Glory to, Our father, Benedictus, Magnificat, Nunc dimittis, May the Lord bless us, etc.) as well as all eight psalm tones for chanting in english or latin.

Jubilate Deo A booklet of traditional prayers and hymns that were recommended by the Sacred Congregation for Divine Worship in 1974 as a "minimum repertoire of Gregorian chant".

An Idiot's Guide to Square Notes Not as trite as the title suggests. Very useful.

The Church Music Association of America "is an association of Catholic musicians, and those who have a special interest in music and liturgy, active in advancing Gregorian chant, Renaissance polyphony, and other forms of sacred music, including new composition, for liturgical use." MANY articles and chant sheetmusic for download.

St. Cecilia Schola Cantorum A parish schola with a great many pieces of chant and polyphony available for download.

Choral Public Domain Library Searchable database of free public domain compositions for download.

Vatican Radio Lauds, Vespers and Compline prayed daily in latin and available for listening.

Unworthy, yet sanctified in Christ

Vespers ended last night, the 3rd Sunday in Lent, with the prayer,

Father,
you have taught us to overcome our sins
by prayer, fasting and works of mercy.
When we are discouraged by our weakness,
give us confidence in your love.

It expresses something that I often feel - frusteration with my own faults and frequent sins, but trust in God for the hope and life he gives us in Christ Jesus. Also, from the prayer of St. Ambrose before mass,

Lord Jesus Christ,
I approach your banquet table
in fear and trembling,
for I am a sinner,
and dare not rely on my own worth,
but only on your goodness and mercy.

What an amazing revelation, that God has chosen to share his life with us sinners! Why, one will hardly die for a righteous man -- though perhaps for a good man one will dare even to die. But God shows his love for us in that while we were yet sinners Christ died for us. (Rom 5:7-8)

Singing in victory!

Commented by Fr. Baer:
Among the comments made in the local newspapers and blogs regarding the events of the past two nights, there has been an interesting thread running through them, namely, comments about the singing of traditional chants and hymns.

At the Seminary, I teach the men that singing in the Scriptures is often associated with victory in battle. In particular, the "new song" of the Psalms and, especially, of the Exodus, is no willowy, but a triumphal song following the LORD's victory over the Egyptians and other opponents. Mary's Magnificat is a victory song, acclaiming God's triumph in raising the lowly, including His lowly handmaid, to glory, while casting down the proud and powerful of this world. In heaven the martyrs and saints will sing a new song, "the Song of Moses and the Song of the Lamb."
Are you in a fight? Cry out to the Lord. Are you victorious? Sing out to the Lord. This is how Catholics do it. And this may be an under-appreciated part of how Catholics are to do evangelization. People close their ears to our words, but they just can't ignore a good song.

Do we want Catholic men to sing? Give them a chance to fight for Christ, give them a chance to celebrate our victory in Christ, and then give them chants and anthems, ancient and new, whose words and melodies and spirit befit an unconquerable band of brothers in Christ.

Do that, and we will have thousands of everyday Catholic men around the Twin Cities, including men who have hated to sing the insipid songs foisted upon them previously, singing with ardor a new song to the Lord. I guarantee that observers and protesters who pay no attention to mean-spirited and tiresome shouts of protest will take notice. That's what a song of victory does. Always has, always will.

Manly men

I was able to get to the U of M last night (Saturday), arriving about 7:30. I went around to the side of Rarig facing away from the street where students most often walk by between classes. I lived in Middlebrook Hall on the West Bank, so I had pictured the protest being held on that side. But nobody was there! I saw theatre-goers inside having drinks, but no one outside. I thought perhaps I was too late, and the group was asked to move or something.

But I walked around to the other side to find a dense wedge of people praying the Rosary and singing, mostly seminarians. I have no idea how to estimate the size - definitely more than 50 and probably less than 100. It appeared identical to the descriptions I had read about Friday night.

I crossed in front and took up a position near the back corner. We finished the last three Glorious Mysteries and then prayed the Chaplet of Divine Mercy. Lots of people walked by on their way into the theatre for the 8:00 show, and most just passed by with a glance. Praying out in the cold reminded me of my childless days when I would get up Saturday mornings and go with a few friends to pray outside an abortion provider in Robbinsdale. We were led by Father Dufner, rain or show or shine. It's something that sounds really radical when you talk about it -- "Yeah, I was outside in the snow praying for and hour to stop abortion..." But it actually ends up being much easier to do than expected and eventually becomes a routine. Last night was the same way. I was a bit nervous walking to the theatre, but there was nothing to fear once I was there in prayer.

I'm glad I went. It was clearly the SJV guys' show, as they seemed quite used to praying and singing together. I've decided that learning about the protest got me so excited because it wasn't some cranks standing outside the theatre with signs and yelling, "GO TO HELL LIBERAL ARTIST SCUM!" It was our seminarians (led by their rector Fr. Baer) standing up to say - This is not right. Catholics should not put up with this kind of insult and blasphemy. We will pray in reparation, trusting to God and His perfect justice. I'm so grateful that these men are answering God's call to serve His Church.

Oh, as for these "manly men". Their deep voices rang out with confidence in prayer and song (much better than my students' singing at school). After Fr. Baer's blessing, the SJV men shouted their motto: "Men in Christ! Men of the Church! Men for others! Saint John Vianney - Pray for us! Holy Mary Mother of God - Pray for us!" There was more, but I forget. It was like a team getting psyched for a game. Way to go, guys! Fr. Corapi doesn't call the Rosary a powerful weapon for nothing!

*Shout out to Cathy_of_Alex whom (who?) I greeted after the praying. She was there the whole time and nearly took over when the seminarians were a few minutes slow showing up. Good to see you!

Other posts about the evening at Veritatis Spendor (pics) and Adoro te Devote.