From the instant that the USCCB announced that the Revised Grail Psalter would become the new standard for Psalms in the ordinary form of the Mass, musicians in the UK privately issued warnings along the lines of “welcome to our Hell.”
The problem is not the translations of the Psalms, which are said to be an improvement over what is in use today in the U.S. The problem has to do with the law, copyright, permissions, expenses, enforcement—and the problems are so pervasive in the UK that one of the least spoken about aspects of liturgical life in the UK is the proliferation of samizdat Psalms.
What are samizdat Psalms? These are Psalm settings written by composers attached to parishes and cathedrals, by composers and directors who are required to use the Grail text but cannot bear to sing the musical settings published by the mainstream publishers. They write their own, but understandably fail to jump through the copyright hoops and pay the exorbitant fees associated with the texts themselves. So they are copied, handed out, kept under wraps, delivered from parish to parish in brown envelopes, and spoken about in hushed tones. It’s like a sector of an underground Church.
The same situation could happen in the U.S. when the Revised Grail becomes official here too. The Psalm that are currently made available online will be forced down. The settings made available by independent composers will have to go underground. The job of setting the Psalms to music will fall to the “Big Three” music publishers who provide the mainstream fare today. Incredibly, one of those publishers, a for-profit company, has actually been named as the literary agent to decide the terms and conditions under which people can publish the Psalms. (more)
Saturday, December 20, 2008
Let my verses go!
Jeffrey Tucker at the NLM: